Saints Peter, Andrew and Jude the Apostle, cartoons for mosaic in Amalfi cathedral Domenico Morelli (1826-1901)

The drawing presents three standing male figures, presumably intended as preparatory cartoons for mosaic panels. Each figure is depicted in a full-length pose, facing forward and occupying roughly equal space within the composition. The style suggests a deliberate simplicity, characteristic of designs meant to be translated into a tessellated medium.
Here we see three men, each draped in flowing robes that emphasize their form while also contributing to a sense of solemnity. The garments are rendered with careful attention to folds and shadows, indicating an attempt at conveying volume despite the limited tonal range inherent in a cartoon drawing. Each figure holds an object: the leftmost man clasps his hands together, the central one rests his hand on his chest, and the rightmost figure holds what appears to be a book or tablet. These objects likely carry symbolic weight related to their identities as religious figures.
The faces are characterized by a certain austerity; expressions are subdued, conveying piety and perhaps humility. The artist has paid particular attention to rendering hair, which is depicted with short, tightly curled locks for all three men. This stylistic choice contributes to the overall impression of uniformity while also adding visual interest.
Beneath each figure, inscribed in capital letters, are names: SCS PETRUS, SANCT ANDREAS, and SANCT J[U]DA THADDAEUS. These inscriptions confirm their identities as Saints Peter, Andrew, and Jude Thaddeus, respectively. The abbreviated form of the first name (SCS) suggests a deliberate economy in design, likely dictated by the constraints of mosaic composition where space is limited.
The background appears to be a plain, light-colored surface, which serves to isolate the figures and direct attention towards them. The overall effect is one of restrained elegance and devotional purpose. The drawing’s function as a cartoon suggests that it was intended to serve as a guide for artisans who would translate these designs into durable mosaic panels within an architectural setting, likely a cathedral.