Elias Martin – Romantic Landscape with Spruce
from 1768 until 1780. 115×89
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a limited palette, primarily utilizing browns, grays, and muted greens, with occasional flashes of ochre suggesting hidden light sources within the rock faces. The application of paint appears loose and expressive; brushstrokes are visible, adding to the sense of immediacy and raw emotion. This technique lends a textural quality to the scene, particularly noticeable in the rendering of the foliage and the ruggedness of the mountains.
The composition directs the viewers eye upwards towards the imposing cliffs that rise abruptly from the shadowed base. These formations appear almost monolithic, their scale dwarfing any human presence – which is entirely absent. The sky above is a swirling mass of dark clouds, pierced by patches of pale light. This interplay of darkness and illumination creates a palpable sense of atmospheric tension.
Subtly, there’s an implication of the sublime at work here. The sheer magnitude of the landscape evokes feelings of awe and insignificance in the face of natures power. The absence of human figures reinforces this notion; the scene is presented as untouched, wild, and indifferent to human concerns. It suggests a yearning for escape from civilization and a desire to connect with something larger than oneself – a common theme within artistic explorations of the natural world.
The painting’s overall effect is one of melancholy grandeur. The subdued colors, dramatic lighting, and imposing scale combine to create an atmosphere that is both beautiful and unsettling, prompting contemplation on themes of natures dominance and humanitys place within it.