Mary Stevenson Cassatt – the family 1893
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the womans left stands an older girl, her gaze directed towards the infant. She holds a flower, its presence seemingly intended as a gesture of comfort or offering. Her hair is a striking shade of red, contrasting with the mother’s lighter auburn and the child’s fair coloring. The girl’s expression is more complex; it isnt overtly sympathetic but rather appears thoughtful, perhaps even slightly detached.
The background consists of an impressionistic rendering of foliage and a pathway receding into the distance. The brushwork here is loose and vibrant, creating a sense of depth and suggesting a warm, sunny day. The color palette is dominated by greens, yellows, and browns, with touches of purple in the woman’s garment adding visual interest.
The painting evokes themes of familial relationships and the complexities inherent within them. The mothers role as caregiver is immediately apparent, but the interaction between the older girl and the infant introduces a layer of nuance. Is she offering solace? Observing from a distance? Her posture and expression resist easy interpretation, hinting at a more intricate dynamic than simple maternal affection.
The child’s distress serves as a focal point, prompting questions about his well-being and the responsibilities associated with nurturing another life. The flower held by the older girl could symbolize innocence, hope, or perhaps even a fragile attempt to bridge an emotional gap. Overall, the work presents a quiet moment of domesticity, imbued with subtle psychological undertones that invite contemplation on the bonds between family members and the delicate nature of caregiving.