Picasso, Pablo – Beadon and bowls Hermitage ~ part 09

The composition presents a still life arrangement centered around various vessels – bowls, vases, and cups – rendered in a fragmented, geometric style. The artist has eschewed traditional perspective, instead opting for multiple viewpoints presented simultaneously within the same pictorial space. This fracturing of form is evident in how each object appears to be composed of intersecting planes, creating a sense of instability and visual complexity.
The color palette is dominated by earthy tones – ochre, brown, and deep red – which contribute to a somber, muted atmosphere. These colors are applied with visible brushstrokes, adding texture and emphasizing the materiality of the paint itself. The background appears as an extension of these same hues, further flattening the depth and reinforcing the two-dimensionality of the work.
The arrangement is not casually assembled; rather, it feels deliberately constructed. The vessels overlap and intersect, creating a network of lines and shapes that guide the viewers eye across the canvas. There’s a deliberate ambiguity in how these forms relate to one another – are they stacked? Are they floating? This lack of clear spatial relationships contributes to the overall sense of disorientation.
Subtly, there is an exploration of containment and emptiness. Each vessel, despite its geometric construction, suggests a void within – a potential for holding or being filled. The absence of any discernible contents amplifies this feeling of latent possibility.
The painting’s formal qualities suggest a deliberate rejection of representational accuracy in favor of exploring the inherent structure of objects and their relationship to space. It is not about depicting these vessels as they appear in reality, but rather about analyzing their essential forms and presenting them in a new, abstracted way. The work invites contemplation on perception, representation, and the nature of visual experience itself.