Elizabeth Jones, Countess of Kildare Willem Wissing (1656-1687)

The portrait presents a woman in what appears to be a pastoral setting, though one heavily stylized and imbued with aristocratic connotations. She is positioned centrally within the composition, her gaze directed towards the viewer with a measured composure. Her expression suggests both confidence and a certain reserve, avoiding overt displays of emotion.
Here we see an elaborate costume that blends elements of rural simplicity with luxurious fabrics and ornamentation. A white blouse with frilled cuffs peeks from beneath a richly patterned waistcoat in shades of orange and brown, layered over what seems to be a dark blue embroidered gown. The overall effect is one of deliberate artifice; the pastoral garb isn’t indicative of actual labor or rural life but rather serves as a theatrical device. A wide-brimmed hat adorned with flowers sits atop her head, further emphasizing this performative quality. A string of pearls graces her neck, a clear marker of status and wealth.
The presence of a lamb held gently in her left hand is significant. In Western iconography, lambs frequently symbolize innocence, gentleness, and often, Christ himself. Its inclusion here suggests an association with virtuous qualities, potentially hinting at piety or maternal tenderness. However, the context of the elaborate costume complicates this reading; the lamb becomes less a symbol of genuine pastoral life and more a carefully chosen prop within a constructed persona.
The shepherd’s crook held in her right hand reinforces the pastoral theme but also introduces an element of authority and control. It is not merely a tool for guiding sheep, but a visual cue suggesting leadership or dominion over the landscape she inhabits – albeit a landscape that remains largely obscured by shadow.
The background is dark and indistinct, composed primarily of deep greens and browns. This lack of detail serves to focus attention on the figure herself, isolating her from any specific location and elevating her to an almost allegorical status. The darkness also contributes to a sense of mystery and grandeur.
Subtly, the painting conveys a message about idealized femininity within a hierarchical society. It is not simply a depiction of a woman; it’s a carefully constructed representation designed to project certain virtues – piety, gentleness, authority – while simultaneously signaling her elevated social position through opulent attire and symbolic props. The overall impression is one of controlled elegance and deliberate presentation, suggesting a subject acutely aware of the image she projects.