Saint Stephen of Perm
ок.1600
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The subject’s attire reveals layers of significance. They are draped in an outer cloak of deep black, which obscures much of the underlying garments. Beneath this, a lighter-colored robe or tunic is visible, its folds rendered with a degree of naturalism that contrasts with the stylized treatment of other elements. A dark cord, possibly representing a monastic habit or a symbol of dedication, is prominently displayed across their chest. The hand extended towards the lower right corner holds what appears to be an open book or scroll, indicating a connection to learning and scripture.
The color palette is restrained, dominated by earth tones – ochre, brown, and black – with touches of red-orange in the undergarments. This limited range contributes to the painting’s overall sense of austerity and spiritual focus. The surface exhibits signs of age and wear, including cracks and discoloration, which add a patina of history and veneration.
The artists technique emphasizes linearity and flatness, typical of Byzantine iconography. Shadows are minimal, and perspective is largely absent, reinforcing the symbolic rather than realistic intent. The figure’s elongated proportions further contribute to this sense of otherworldliness.
Subtly, the painting conveys themes of piety, scholarship, and perhaps martyrdom – the downcast gaze and somber attire suggesting a life dedicated to spiritual contemplation or sacrifice. The open book implies a connection to divine knowledge and the transmission of religious teachings. The overall effect is one of quiet reverence and profound spirituality, inviting viewers into a space of reflection and devotion.