Self portrait with squirrel Arkady Rylov (1870-1939)

The drawing presents a man in profile, engaged in what appears to be a moment of intimate interaction with a squirrel perched on his hand. The artist has rendered the scene in charcoal, utilizing a range of tonal values to suggest form and texture. The subjects face is heavily lined, indicative of age and experience; the hair is thick and disheveled, contributing to an overall impression of a somewhat eccentric or unconventional personality.
The squirrel occupies a significant portion of the composition, its posture suggesting alertness and curiosity. Its eyes are rendered with particular attention, conveying a sense of lively intelligence. The man’s gaze is directed towards the animal, his expression difficult to decipher – it could be interpreted as amusement, affection, or perhaps even a quiet contemplation.
The positioning of the squirrel on the hand creates a visual link between human and animal, blurring the boundaries between species. This proximity suggests a relationship that transcends the typical distance maintained between humans and wildlife. The gesture itself – the man’s hand gently cupping the squirrel – implies tenderness and care.
Subtleties in the drawing suggest deeper meanings. The contrast between the aged appearance of the man and the youthful vitality of the squirrel could be read as a commentary on time, mortality, or the enduring power of nature. The unusual pairing might also symbolize an affinity for the unconventional, a willingness to find companionship in unexpected places. The date inscribed at the bottom right corner (1951) provides a temporal anchor, situating the work within a specific historical context and potentially hinting at personal circumstances relevant to the artist’s life during that period. Overall, the drawing evokes a sense of quiet intimacy and invites reflection on the complex relationship between humanity and the natural world.