Chinese artists of the Middle Ages (赵雍 - 临李公麟人马图) – Zhao Yong
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The horse dominates the visual space. It’s depicted with meticulous attention to detail, showcasing its muscular build and intricate markings – a pattern of dark spots against a lighter base coat. The artist has rendered the animal’s anatomy with precision, emphasizing its power and grace through careful rendering of musculature and posture. The reins are clearly visible, connecting the man and horse in a tangible relationship.
The background is largely devoid of detail, drawing focus to the central figures. Calligraphic inscriptions appear on the left side and within a red seal at the upper right corner, adding layers of meaning beyond the immediate visual representation. These texts likely contain poetic verses or commentary related to the subject matter, potentially offering insights into the horse’s character or the mans role.
The color palette is restrained, relying primarily on earth tones – ochre, brown, and red – which contribute to a sense of formality and tradition. The limited range of colors reinforces the solemnity of the scene.
Subtly, there’s an interplay between power and restraint. While the man embodies authority through his attire and posture, he is ultimately dependent on the horse for movement and purpose. This suggests a relationship of mutual reliance rather than absolute dominance. The meticulous detail applied to the animal implies respect and admiration, elevating it beyond mere transportation to something worthy of careful observation and artistic representation. The overall effect conveys a sense of disciplined elegance and understated grandeur characteristic of courtly art.