Chinese artists of the Middle Ages (佚名 - 元世祖后像) – Unknown
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The most striking element is the towering headdress, predominantly red with intricate floral patterns embroidered along its edges. Its height and rigid structure contribute to an impression of power and formality. The face itself is rendered with careful attention to detail; the features are full and rounded, conveying a sense of serenity and perhaps even benevolence. The eyes possess a directness that suggests composure and self-assurance.
The clothing consists of a red robe or garment adorned with a patterned collar and decorative fringes. These embellishments further emphasize the subject’s elevated position within a hierarchical structure. The use of pearls, visible in the headdress and around the neck, signifies wealth and prestige.
The artist employed a restrained palette, dominated by reds, browns, and subtle variations in skin tone. This limited color range contributes to a sense of solemnity and dignity. The brushwork appears meticulous and controlled, characteristic of official portraiture intended to convey respect and authority.
Subtly, the painting communicates an assertion of power through visual cues – the imposing headdress, the rich fabrics, the carefully rendered facial expression. It is likely that this work served as a tool for legitimizing rule or reinforcing social order within a specific cultural context. The absence of any background elements reinforces the subject’s isolation and importance, suggesting a figure set apart from ordinary life.