Chinese artists of the Middle Ages (王致诚 - 十骏马图(之一、二)) – Wang Zhicheng
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The central focus lies on the horse itself. It stands facing away from the viewer, its tail flowing freely, suggesting a recent or impending movement. The artist has meticulously detailed the animal’s musculature and coat, conveying a sense of power and vitality despite its stillness. The light falls upon the horses back, highlighting its form and creating subtle gradations in tone that contribute to its three-dimensionality.
The arrangement of elements suggests a deliberate attempt at evoking a mood of quiet contemplation and restrained elegance. The solitary figure of the horse implies themes of independence, resilience, or perhaps even loneliness. The willow tree, often associated with mourning or farewells in East Asian symbolism, could introduce an element of melancholy or transience to the scene.
The presence of seals – red stamps bearing inscriptions – along the left edge and lower right corner are characteristic of traditional Chinese painting. These likely represent the artist’s signature, collectors marks, or poetic inscriptions related to the work, adding layers of meaning and historical context that extend beyond the purely visual elements. The overall effect is one of understated beauty and subtle emotional depth, inviting prolonged observation and personal interpretation.