Chinese artists of the Middle Ages (法若真 - 树梢飞泉图) – Fa Ruo Zhen
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The mountains themselves are rendered with varying degrees of detail; some areas appear sharply delineated, emphasizing their rugged texture, while others dissolve into soft, blurred forms within the enveloping mist. This technique creates a dynamic interplay between solidity and transience, suggesting both the permanence of geological formations and the ephemeral nature of perception. A single tree is positioned in the foreground, its dark silhouette contrasting with the lighter tones of the background, serving as an anchor point for the viewers eye and providing a sense of scale within the immense landscape.
In the upper left corner, calligraphic script occupies a significant portion of the space. The characters are executed in a flowing, expressive style, their meaning likely poetic or philosophical commentary on the scene depicted. Their placement alongside the visual elements suggests an integration of textual and pictorial expression, characteristic of East Asian artistic traditions. A small red seal is visible at the lower right corner, marking ownership or authentication.
The subtexts within this work appear to revolve around themes of natures power and transcendence. The imposing mountains evoke a sense of awe and humility in the face of natural forces. The mist obscures details, hinting at the unknowable aspects of existence and encouraging contemplation beyond surface appearances. The waterfall symbolizes dynamism and constant change, while the solitary tree represents resilience and adaptation within a challenging environment. Overall, the painting conveys a mood of quiet introspection and reverence for the sublime beauty of the natural world.