PO pfrd 111 Lions Robert Dallet

The drawing presents a series of studies focused on lions and their interactions with prey. Executed in graphite, the work displays a clear emphasis on anatomical accuracy and dynamic movement. The composition is divided into four distinct vignettes, each offering a different perspective on the subject matter.
In the upper left quadrant, we see a close-up portrait of a lioness. Her head is turned in profile, revealing meticulous attention to detail in the rendering of her facial features – the shape of the ears, the texture of the fur, and the intensity of her gaze. The artist has captured a sense of quiet alertness within this depiction.
Adjacent to the portrait, the second vignette shows a lion roaring. Here, the artist conveys raw power through an open mouth displaying teeth and a tense musculature. The posture suggests a display of dominance or perhaps a warning.
The upper right quadrant depicts a lion in mid-leap, seemingly pursuing prey. The dynamism is palpable; the body is contorted in motion, with limbs extended and muscles straining. This scene conveys a sense of urgency and predatory instinct.
Finally, the lower portion of the drawing presents a more complex narrative. A male lion appears to be engaged in a playful interaction with what seems to be his mate, while a zebra stands nearby, seemingly startled or apprehensive. The positioning suggests a moment of domesticity juxtaposed against the ever-present threat of predation.
The overall effect is one of observation and study rather than storytelling. The artist’s focus appears to be on capturing the essence of these animals – their anatomy, behavior, and inherent power. The lack of background detail directs attention solely to the subjects themselves, reinforcing this emphasis. The title Lions printed at the bottom serves as a straightforward identification, but does not offer further interpretive guidance.