Chat marbrй Robert Dallet

The drawing presents a study of a feline creature, likely intended as a depiction of a marbled cat. Four distinct views of the animal are arranged on the page, suggesting a systematic observation and documentation process. The artist has employed graphite on paper, creating a monochromatic work with varying degrees of tonal shading to define form and texture.
The first view shows the animal ascending a tree trunk. Here we see a dynamic posture; the body is elongated, the paws gripping the bark, conveying an impression of agility and vertical movement. The tail serves as a counterbalance, adding to the sense of precariousness and controlled ascent.
Adjacent to this, another composition displays the creature suspended upside down from a branch. This unusual perspective highlights the animal’s flexibility and arboreal adaptation. The musculature is clearly delineated, emphasizing its strength and ability to navigate complex environments.
Two frontal portraits occupy the lower portion of the drawing. These close-up views focus on the felines facial features – the eyes, nose, and mouth – rendered with meticulous detail. The artist has captured a sense of alertness and perhaps even curiosity in the animal’s gaze. Subtle variations in shading around the eyes suggest depth and volume.
The overall effect is one of scientific observation rather than artistic expression. Theres an absence of background or contextual elements, directing the viewer’s attention solely to the subject matter. The arrangement of the views suggests a desire for comprehensive understanding – a detailed exploration of the animal’s anatomy and behavior from multiple angles.
The inclusion of the text Chat marbré at the bottom provides a label identifying the species being depicted. This reinforces the drawings function as an illustrative study, likely intended for scientific or educational purposes. The numbering “145” in the upper right corner might indicate its position within a larger series of illustrations.