Unknown painters – Per Brahe the yanger (1602-1680)
1675.
Location: National Museum (Nationalmuseum), Stockholm.
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The subject’s clothing dominates the composition. A richly patterned coat in shades of orange and red commands immediate attention. This garment is overlaid with a white fur-trimmed mantle, fastened at the neck with a decorative clasp. The high collar of the coat extends upwards, framing his face and contributing to an overall sense of grandeur. Upon his head sits a tall, black hat adorned with what appears to be a small crest or emblem. In his hands, he holds a crown, presented in a manner that suggests both possession and perhaps a symbolic gesture.
The lighting is uneven, highlighting the textures of the fabrics while leaving portions of the background shrouded in shadow. This contrast draws focus onto the figure and emphasizes the opulence of his clothing. The floor appears to be tiled with black and white squares, providing a geometric counterpoint to the organic forms of the subject’s garments.
An inscription is visible in the upper right corner, written in an ornate script. Its presence suggests that this is intended as a commemorative or official depiction. The text likely provides identifying information about the individual portrayed, reinforcing his status and legacy.
Subtleties within the painting hint at layers of meaning beyond a simple likeness. The crown held by the subject could symbolize power, authority, or perhaps even spiritual dominion. The dark background serves to isolate him, emphasizing his individuality and importance. The formal pose and attire suggest adherence to established social conventions and a desire to project an image of stability and control. Overall, the painting conveys a sense of elevated status and deliberate self-representation, likely intended to solidify the subject’s position within a hierarchical society.