Unknown painters – Johan Adolf (1575-1616), Duke of Holstein-Gottorp
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The boy’s attire is elaborate and indicative of high status. A long coat or robe in a muted blue-grey dominates the visual field, adorned with intricate gold embroidery along the edges and sleeves. The collar is similarly embellished, framing his face and contributing to an overall impression of opulence. He holds a single rose in his right hand, a detail that introduces a subtle element of symbolism – roses often represent love, beauty, or even fragility.
The boy’s expression is serious, almost solemn, which contrasts with the richness of his clothing. His gaze is directed slightly off-center, suggesting a sense of introspection or perhaps an awareness of his position. The lighting highlights his face and hands, further emphasizing these features and contributing to a feeling of formality.
A chair stands partially visible behind him, its ornate design mirroring the complexity of his garments. A small plaque affixed to the lower right corner contains text, presumably identifying the subject and providing details about the date of creation. This inscription reinforces the portrait’s function as a record of identity and lineage.
The composition is structured around verticality, reinforcing the boys stature and conveying an impression of authority. The limited color palette – dominated by blues, greys, golds, and dark browns – contributes to a sense of restrained elegance and seriousness appropriate for a formal portrait of someone of noble birth. Overall, the painting conveys a message of status, lineage, and perhaps a nascent understanding of responsibility within a hierarchical society.