Unknown painters – The Three Maries at the Tomb
16th century probably. 105×144
Location: National Museum (Nationalmuseum), Stockholm.
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The women are clad in garments that vary in color and texture – dark blue/black, green, and a simple white cloth – which subtly differentiates them while uniting them within the shared experience of mourning. Their poses are dynamic, yet restrained; they do not collapse into despair but maintain a sense of dignified sorrow.
To the right of the tomb sits a youthful figure with wings, bathed in an ethereal light that contrasts sharply with the darkness enveloping the women. This individual appears to be an angel, and their posture suggests a message of reassurance or revelation. The angel’s gaze is directed upwards, away from the grieving women, implying a divine perspective on the unfolding events.
The artist employed a dramatic use of chiaroscuro – a stark contrast between light and shadow – to heighten the emotional intensity of the scene. The darkness emphasizes the despair of the mourning women while simultaneously highlighting the angelic figure as a beacon of hope or understanding. The limited palette, dominated by dark tones punctuated by flashes of white and gold, contributes to the overall atmosphere of melancholy and spiritual significance.
The composition suggests a narrative moment – a pivotal point in a larger story. It is not merely an image of grief but also one that hints at something beyond immediate comprehension, perhaps a promise of redemption or divine intervention. The arrangement of figures and their gestures invite contemplation on themes of loss, faith, and the mysteries of existence.