Unknown painters – Erik Sture (1546-1567), free lord
115×101.5
Location: National Museum (Nationalmuseum), Stockholm.
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The man’s attire is significant. A dark, intricately patterned garment, likely velvet or a similar rich fabric, dominates the composition. Its high collar frames his face, contributing to an impression of formality and status. The sleeves are puffed and adorned with decorative buttons, indicative of contemporary fashion. His left hand rests on what appears to be a leather-bound book or ledger, held close to his body; this detail suggests learning, administration, or perhaps the management of estates – all attributes associated with nobility. The right hand is extended slightly, displaying a ring upon the finger, another marker of rank and wealth.
Above the figure are two coats of arms, rendered in heraldic colors of blue and silver, flanked by branches bearing leaves. These emblems identify him as belonging to a specific lineage or holding certain titles. Inscribed text above the crests provides further details regarding his name, title (free lord), and dates – 1546 and 1567 – which may refer to birth and death years respectively.
The overall effect is one of restrained grandeur. The dark background minimizes distractions, focusing attention on the individual and reinforcing a sense of solemnity. While the pose is relatively straightforward, the details – the rich fabric, the ring, the book, the heraldry – work together to construct an image of a man defined by his position within a hierarchical society. Theres a certain austerity in the presentation; it avoids overt displays of emotion or exuberance, suggesting a deliberate attempt to project an image of dignity and responsibility. The youthfulness of the subject, combined with these markers of status, hints at potential – a young man poised to assume greater responsibilities within his sphere of influence.