Unknown painters – Landscape | 122
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a vertical format that emphasizes the height of the central edifice and its imposing presence against the turbulent sky. The lower portion of the painting is almost entirely consumed by shadow, obscuring details of the foreground. A small group of figures are discernible near the base of the tower, their forms indistinct and seemingly dwarfed by the scale of the surrounding environment. Their posture suggests a contemplative or perhaps apprehensive stance towards the illuminated structure above.
The sky itself is rendered with swirling brushstrokes, suggesting movement and atmospheric instability. The light source behind the tower creates a dramatic backlighting effect, silhouetting its form and casting an ethereal glow upon the clouds. This interplay of light and shadow contributes significantly to the painting’s overall mood – one of melancholy, solitude, and perhaps even foreboding.
The limited palette, primarily consisting of dark greens, browns, and grays, reinforces this somber atmosphere. The artists use of impasto is evident in the texture of the sky, adding a tactile quality to the scene. This technique also serves to enhance the sense of depth and movement within the composition.
Subtly, the painting evokes themes of decay, time’s passage, and humanity’s relationship with nature. The ruined structure suggests a lost civilization or a bygone era, while the small figures in the foreground underscore human vulnerability against the vastness and power of the natural world. The light itself can be interpreted as representing hope or revelation amidst darkness, though its source remains enigmatic and distant.