Unknown painters – Elizabeth Mademoiselle of Alenson (1646-1696)
131×99
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire immediately establishes her social standing. A complex gown, seemingly constructed from layers of fabric – silk, lace, and what appears to be embroidered detailing – drapes across her form. The off-the-shoulder neckline reveals a portion of her upper chest, a deliberate display of wealth and status through the exposure of fine linen or silk beneath the elaborate outer garments. A single pearl adorns her bodice, further reinforcing this impression of affluence.
The backdrop is not merely decorative; it appears to be an idealized landscape – a hazy vista with indistinct trees and what might be water in the distance. The muted colors – pinks, greens, and browns – create a soft, dreamlike quality that contrasts with the sharp focus on the subject.
A significant element of the composition is the spear held aloft in her left hand. This object introduces an intriguing layer of symbolism. While it could be interpreted as a simple prop, its presence suggests a connection to classical mythology or allegorical representation. The spear might allude to Diana, the Roman goddess of the hunt and protector of women, implying qualities such as strength, independence, and perhaps even martial prowess.
The drape of fabric cascading over her shoulder further contributes to the sense of grandeur and theatricality. It creates a visual barrier between her and the background, isolating her within the frame while simultaneously adding volume and movement to the composition. The way the light catches on these folds highlights their richness and texture.
Overall, the painting conveys an image of aristocratic elegance and refined femininity. Beyond the surface depiction of wealth and beauty, there is a subtle suggestion of power and agency – a woman consciously presenting herself as both beautiful and capable, connected to ideals of classical virtue and strength.