Unknown painters – Christ and the Samaritan woman
Location: National Museum (Nationalmuseum), Stockholm.
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To his right, a woman is depicted seated near the wells edge. She wears a white garment accented by a vibrant red shawl, which draws attention to her posture – one hand resting on the well’s stone rim, the other seemingly engaged in conversation with the central figure. Her expression appears contemplative, perhaps reflecting surprise or burgeoning understanding.
On the left side of the painting, another man approaches, his face partially obscured and turned towards the interaction between the woman and the central figure. He is clad in dark, simple clothing, suggesting a role as an observer or participant within this encounter. A large earthenware jar rests near the well, hinting at the practical necessity of water collection and potentially symbolizing sustenance or life itself.
The artist’s use of light is significant; it focuses primarily on the central figure, emphasizing his spiritual importance while casting the surrounding landscape in a softer glow. The foliage behind them creates a sense of enclosure, suggesting a secluded location removed from everyday concerns.
Subtly, the painting explores themes of encounter and revelation. The woman’s initial posture suggests a degree of social distance or perhaps even apprehension, which appears to be dissolving through her interaction with the central figure. The presence of the man in the background implies a broader context – a community witnessing or potentially involved in this exchange. The well itself serves as more than just a physical location; it represents a source of life and renewal, mirroring the spiritual transformation that may be occurring within the narrative.