Unknown painters – The Flight into Egypt
1540~50. 42×98 cm. Venetian (Italian, 16th Century)
Location: Art Institute, Chicago.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The landscape itself is rendered with a deliberate ambiguity. The terrain is uneven, marked by rocky outcrops and dense foliage. A sense of enclosure is created by the trees on either side of the path, which partially obscure the view but also draw the eye towards the open expanse beyond. In the middle ground, a shepherd tends to his flock, adding a pastoral element to the scene. The distant horizon reveals a body of water reflecting the sky, and a town or settlement nestled amongst the hills.
The lighting is uneven, with areas of deep shadow contrasting sharply with patches of brighter illumination. This creates a dramatic effect, emphasizing certain elements while obscuring others. The overall color palette leans towards earthy tones – browns, greens, and ochres – which contribute to the feeling of naturalism.
Subtleties within the composition suggest deeper meanings. The winding path can be interpreted as symbolic of a journey fraught with uncertainty and hardship. The presence of the shepherd and his flock evokes themes of humility, faith, and reliance on divine guidance. The distant town hints at a destination – perhaps safety or refuge – but also implies a separation from the familiar.
The inclusion of a dog near the group suggests loyalty and companionship, while its posture – alert and watchful – implies a sense of vulnerability and potential danger. The composition’s emphasis on movement, conveyed through the figures progress along the path, reinforces the narrative of displacement and transition. Ultimately, the painting conveys a mood of quiet contemplation and resilience in the face of adversity.