Unknown painters – Still life with game
1700~1710. Emilian painter
Location: Academy Carrara (Accademia Carrara), Bergamo.
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The artist’s handling of paint contributes significantly to this effect. Thick impasto creates texture, particularly in the rendering of feathers and fur. This technique gives a tactile quality to the scene, allowing one to almost feel the softness of the plumage and the roughness of the animals coat. The use of light is dramatic; it highlights certain areas – the white feathers of the birds, the sheen on the hare’s skin – while leaving other parts in shadow, deepening the sense of volume and creating a chiaroscuro effect that intensifies the drama.
The dark background serves to isolate the subjects, focusing attention entirely on their forms. The limited color palette – primarily browns, whites, and blacks – reinforces this focus, preventing any distracting elements from diverting the viewer’s gaze. A suggestion of architectural structure is visible in the upper right corner; a stone ledge or wall provides a backdrop that hints at an interior space but remains largely undefined.
Beyond the straightforward depiction of game, the painting carries potential subtexts related to abundance and mortality. The lavish display of animals suggests prosperity and perhaps even excess. However, their captured state also introduces a note of vulnerability and loss; they are stripped of their natural environment and presented as objects of consumption. This juxtaposition invites contemplation on themes of life, death, and humanity’s relationship with the natural world. The lack of human presence further amplifies this sense of detachment, allowing the viewer to focus solely on the animals themselves and the implications of their fate.