Emblems for Royal Crown Lodge No. 22 Unknown painters

The composition presents a complex arrangement of symbolic elements framed by draped maroon curtains and flanked by figures in formal attire. The central focus is a heraldic-style shield divided into distinct sections, each containing carefully rendered imagery. Above the shield, within an oval cartouche, a classical scene unfolds: a woman, presumably representing Virtue or Wisdom, holds a child aloft while a male figure observes them with what appears to be paternal approval. This upper vignette suggests themes of lineage, moral instruction, and perhaps divine blessing.
The shield itself is structured around a central sunburst motif, radiating outwards and dominating the visual field. Below this, a pair of hands clasped in fellowship are prominently displayed, symbolizing unity and brotherhood – a core tenet of the organization to which this emblem pertains. The lower portion of the shield contains a series of smaller, more disparate symbols arranged across three horizontal registers. These include a lamb (often associated with innocence or sacrifice), a heart (representing love and compassion), a skull (a memento mori reminding viewers of mortality), and an eye within a triangle (a symbol frequently linked to vigilance and divine oversight). A small pyramid is also visible, possibly alluding to the building of something lasting.
On either side of the central shield stand two men in military-style uniforms, each holding a sword upright. The figure on the left bears a banner reading Amicitia (Latin for friendship), while the one on the right holds a banner proclaiming Veritas (truth). These banners underscore key values championed by the group. A third banner at the bottom of the composition reads “Amor et” (love and), suggesting an incomplete phrase, perhaps intended to be continued within the context of the organizations rituals or teachings.
The overall effect is one of deliberate solemnity and hierarchical structure. The arrangement suggests a system of values and beliefs presented as both aspirational and foundational. The use of classical imagery combined with Masonic symbols creates a visual language that aims to convey authority, moral uprightness, and a commitment to shared ideals. The painting’s style, while technically competent, possesses a certain rigidity, reinforcing the impression of formality and adherence to established tradition.