Unknown painters – Moses saved from the waters
1700~1720. Veronese painter
Location: Academy Carrara (Accademia Carrara), Bergamo.
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Several other figures populate the scene, arranged in a hierarchical manner around the central pair. A woman stands behind the kneeling figure, her expression conveying a mixture of concern and authority. She holds what appears to be a small scroll or tablet, hinting at a connection to divine law or prophecy. To her right, another female figure gazes down upon the group with an air of solemnity. An older man, distinguished by his grey hair and beard, stands further back, observing the proceedings with a contemplative expression. He is draped in flowing robes, suggesting status and wisdom.
The artist employed a muted palette dominated by earthy tones – browns, ochres, and creams – which contribute to an atmosphere of solemnity and antiquity. The lighting is uneven, highlighting certain figures while leaving others shrouded in shadow. This selective illumination draws attention to the key players in the narrative and enhances the dramatic tension of the moment.
The landscape setting appears somewhat indistinct, with dense foliage obscuring much of the background. A glimpse of water can be seen on the left side of the composition, reinforcing the context of a rescue from peril. The presence of a figure partially hidden amongst the reeds in the distance adds an element of mystery and suggests unseen forces at play.
Subtly embedded within this scene are indications of divine providence and protection. The careful arrangement of figures, their gestures, and the symbolic objects they hold all point to a narrative steeped in religious significance. The act of rescue itself signifies deliverance from adversity, while the offering of sustenance represents nurturing and care. The scroll held by one of the women implies that this event is not merely a personal salvation but part of a larger, divinely ordained plan.