Unknown painters – Neptune protects the crossing of Cardinal Infante Ferdinand of Austria (copy from Rubens)
~1635. Flemish painter
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The chariot itself is constructed from what appears to be driftwood or salvaged ship components, lending a sense of precariousness to the scene despite the deity’s apparent control. Surrounding him are several female figures, seemingly in distress, partially submerged within turbulent waters. Their expressions convey fear and vulnerability, contrasting sharply with the gods confident posture. The artist has employed a muted palette for these figures, emphasizing their helplessness against the backdrop of the storm.
Behind the central group, a fleet of ships is visible on the horizon, struggling against a dark, ominous sky filled with swirling clouds. These vessels are rendered in smaller scale, reinforcing the sense that they are at the mercy of forces beyond human control. The depiction of the sea itself is characterized by dramatic waves and churning foam, contributing to the overall atmosphere of chaos and peril.
The subtexts within this painting revolve around themes of divine protection and mortal vulnerability. The deity’s intervention suggests a narrative of salvation or deliverance from impending disaster. However, the presence of the distressed figures and the turbulent sea also imply that even with divine assistance, danger remains ever-present. The inclusion of the fleet hints at a larger political or military context; their struggle could symbolize the challenges faced by a nation or empire navigating treacherous waters – both literal and metaphorical. The overall effect is one of grandeur combined with underlying anxiety, characteristic of works intended to convey power while acknowledging its limitations.