Unknown painters – Saint Anthony Abbot from an Augustinian altarpiece
1450~75. Panel: 126×27 cm. Italian, Venice
Location: Art Institute, Chicago.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The figure’s attire consists of a dark cloak lined with crimson fabric at the cuffs and collar. Beneath this, a portion of a red garment is visible, hinting at a hierarchical status or religious affiliation. In his left hand, he holds a small bell, while his right hand rests upon a staff topped with a cross. These objects are significant attributes often associated with monastic life and spiritual authority.
The background is minimal; a gold-colored archway frames the figure, drawing attention to him as the central focus of the work. Beneath his feet lies a checkered floor pattern, providing a sense of grounding while also introducing an element of decorative detail. The limited color palette – primarily dark tones punctuated by red and gold – contributes to a feeling of austerity and reverence.
Subtleties within the painting suggest deeper meanings beyond a simple portrait. The bell likely symbolizes the calling to prayer or spiritual awakening, while the staff with its cross represents faith and guidance. The somber expression on the figure’s face might convey humility, penitence, or perhaps an awareness of suffering. The contrast between the dark cloak and the vibrant red lining could be interpreted as a visual representation of inner conflict or the struggle between worldly desires and spiritual devotion. Overall, the work evokes a sense of quiet contemplation and religious piety, inviting reflection on themes of faith, sacrifice, and the pursuit of spiritual enlightenment.