Unknown painters – Our Lady of Sorrows (copy from Sassoferrato)
1670~1699. Roman painter
Location: Academy Carrara (Accademia Carrara), Bergamo.
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She is draped in dark robes, predominantly black, which envelop her form and contribute to the overall atmosphere of melancholy. A glimpse of crimson fabric appears at the neckline, providing a subtle contrast against the dominant darkness. Her hands are clasped together in front of her, held close to her chest, further emphasizing a sense of vulnerability and supplication. A white cloth is delicately tucked between her fingers, adding another layer of symbolic complexity – perhaps representing mourning or purity.
The lighting within the painting is carefully controlled; it illuminates the woman’s face and hands while leaving much of the background in shadow. This technique draws attention to her emotional state and isolates her from any external context. The artist has employed a muted palette, relying heavily on dark tones punctuated by the subtle highlights on her skin and the crimson accent.
The composition evokes feelings of grief, contemplation, and quiet suffering. The woman’s posture and facial expression suggest an internal struggle or acceptance of hardship. There is a sense of restrained emotion; she does not appear to be actively lamenting but rather enduring pain with dignity. The overall effect is one of profound spiritual sorrow and empathetic resonance.