Unknown painters – Holy Family with Saint John the Baptist in a Landscape
1540~1550. Venetian painter
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man, distinguished by his long white beard and wearing earth-toned garments, leans forward slightly, gesturing with a staff towards the woman and child. A young boy stands near him, holding what appears to be a small animal – likely a lamb – in his arms. The boy’s posture suggests an offering or presentation of this creature.
The background is characterized by dense foliage and distant hills receding into a hazy sky. Light filters through the trees, creating areas of illumination and shadow that contribute to the paintings depth. A body of water can be discerned in the far distance, adding another layer to the landscape’s complexity.
Several subtexts emerge from this arrangement. The gesture of the bearded man, coupled with the boy’s presentation of the lamb, hints at a narrative of recognition or blessing. The lamb itself carries symbolic weight, often associated with innocence and sacrifice within religious iconography. The womans extended hand suggests an act of introduction or connection between the figures.
The landscape setting is not merely decorative; it provides a sense of seclusion and tranquility, suggesting a moment removed from everyday life. The muted color palette, dominated by earth tones and punctuated by the red of the woman’s robe, contributes to a feeling of solemnity and reverence. Overall, the painting conveys themes of familial piety, divine recognition, and the promise of redemption through sacrifice – all rendered within an atmosphere of quiet contemplation.