John Hamilton Mortimer – An Unknown Woman
c.1770. 74×62
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire speaks to a certain social standing and fashion trends of the time. She wears a loose-fitting, pale blue robe draped over a white chemise with delicate lace detailing at the neckline. The simplicity of the garments contrasts with the elaborate hairstyle, which is meticulously arranged in curls and adorned with what appears to be an ornamental feather or plume. This juxtaposition highlights a balance between refined elegance and understated grace.
Resting on her lap are several books bound in dark leather, their spines visible. These objects function as symbolic indicators of intellect and learning – attributes often associated with women of the upper classes during this era. The placement of her hand upon them further emphasizes this connection to knowledge. A watch is fastened to her wrist, a detail that subtly signals wealth and an awareness of times passage.
The color palette is restrained, dominated by muted tones of white, blue, and brown. This limited range contributes to the overall sense of quiet dignity and seriousness. The artist’s handling of light is particularly noteworthy; it gently illuminates her face, softening features and creating a subtle play of shadows that adds depth and volume.
Beyond the surface depiction, the portrait invites speculation about the sitters character and circumstances. Her expression is not overtly joyful or sorrowful but rather conveys a sense of composure and perhaps a hint of melancholy. The anonymity of the subject – the fact that her identity remains unknown – adds to the painting’s mystique, allowing viewers to project their own interpretations onto her image. It suggests an individual who valued privacy and intellectual pursuits above public display.