#45810 Antonio Cano Correa

The drawing presents a still life arrangement centered around a vase brimming with flowers. The composition is characterized by a deliberate distortion of perspective and form, eschewing naturalistic representation in favor of a fragmented, almost cubist approach. Here we see the flowers erupting from the vessel, their stems twisting and bending at unnatural angles. The petals themselves are rendered as simplified shapes – circles, ovals, and triangles – layered with vibrant hues of red, orange, blue, and purple.
The background is equally stylized; a rectangular plane serves as a backdrop, its surface marked by vertical lines that suggest either window panes or an abstract architectural element. These lines contribute to the overall sense of spatial ambiguity, further distancing the scene from conventional depth perception. The vase itself possesses a classical form, though it too is simplified and outlined with bold strokes.
The color palette is intense and expressive, contributing significantly to the drawing’s emotional impact. The juxtaposition of warm and cool tones creates visual tension, while the overall saturation lends an air of heightened drama. The artists use of line is equally significant; thick, dark outlines define the shapes, emphasizing their two-dimensionality and reinforcing the sense of deliberate construction.
Subtextually, the work seems to explore themes of deconstruction and reassembly. The recognizable subject matter – a floral still life – is broken down into its constituent parts and then reconstructed in an unconventional manner. This process suggests a questioning of traditional representation and an interest in exploring alternative ways of perceiving reality. The vibrant colors and distorted forms could be interpreted as expressions of emotional intensity or psychological turmoil, while the classical vase might symbolize tradition or established order being challenged by the chaotic energy of the flowers. Ultimately, the drawing invites viewers to engage with it not as a faithful depiction of nature, but as an imaginative exploration of form, color, and perception.