Conversion of Saint Paul on the Road to Damascus Michelangelo Merisi da Caravaggio (1571-1610)
Michelangelo Merisi da Caravaggio – Conversion of Saint Paul on the Road to Damascus
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Painter: Michelangelo Merisi da Caravaggio
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From the Acts of the Apostles, the painter Caravaggio drew a significant dramatic subject for his painting of the Roman church. Saul was among the most formidable and ruthless persecutors of Christians. According to legend, he was on his way to Damascus to incarcerate some supporters of Christ there. The day before he had received permission from the high priest to arrest them. As the persecutor was approaching his destination, he was blinded by a bright light from heaven.
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Description of Michelangelo Merisi da Caravaggio’s The Conversion of Saul
From the Acts of the Apostles, the painter Caravaggio drew a significant dramatic subject for his painting of the Roman church.
Saul was among the most formidable and ruthless persecutors of Christians. According to legend, he was on his way to Damascus to incarcerate some supporters of Christ there.
The day before he had received permission from the high priest to arrest them. As the persecutor was approaching his destination, he was blinded by a bright light from heaven. As he fell to the ground, he heard the distinct speech of Jesus, who asked in a rebuking, admonishing tone, "Why are you persecuting me?"
Then Christ appeared to the disciple of Ananias and told him to go to Saul’s dwelling and put his hands on the blind man to restore his sight. This disciple carried out this commission. Saul was baptized and became a preacher of the Christian faith under a new name - Paul.
The story that radically changed Saul’s life is described by the master with terrific expressiveness. The glow from the appearance of Christ causes the former murderer to close his eyes tightly, come to terror, and fall to the ground in exhaustion at the feet of the horse. The bulky horse’s body takes up nearly half of the painting - in the upper fragment of the picture it seems to hover over the helpless fallen figure. In this way Caravaggio distracts the beholder from the man, drawing his gaze to the strong unearthly light above him.
The artist’s astonishing work is also notable for the fact that Paul, fallen from his horse, extends beyond the frame of the painting with his limbs. Thanks to such an ingenious way of composition viewers are given the opportunity to feel like witnesses to what is happening in the picture, more acutely imbued with the feelings of the hero and believe in the supernaturalism of the event.
The realistic testimony to the divine apparition is now preserved in the Santa Maria Chapel in Rome.
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The picture has something of this: nude, cavalry, sculpture, Renaissance, people, mammal, statue, woman, museum, baroque, cattle, man, skull, seated.
Perhaps it’s a painting of a man laying on the ground next to a horse and a man standing over a man.