Selfportrait Adolf Ulrik Wertmüller (1751-1811)

The portrait presents a man depicted from the chest upwards, set against a dark, indistinct background that emphasizes his presence. He is positioned slightly off-center within the oval frame, creating a dynamic asymmetry. The artist has rendered him in a three-quarter view, allowing for a glimpse of his left shoulder and upper torso.
The subject’s attire suggests a certain social standing; he wears a dark coat with a prominent white shirt collar and ruffled bib, typical of fashionable dress during the mid-18th century. His hair is styled in an elaborate powdered wig, a further indicator of his status and adherence to contemporary trends. The meticulous rendering of the hair’s texture – the individual curls and subtle highlights – demonstrates considerable technical skill.
In his right hand, he holds a paintbrush, its bristles visible, which serves as a direct reference to his profession as an artist. This gesture is not presented in a flamboyant or demonstrative manner; rather, it appears almost casual, suggesting a quiet confidence and familiarity with his craft.
The man’s expression is complex. While theres a degree of formality in the pose, his gaze is direct and seemingly introspective. Theres a subtle melancholy detectable around the eyes and mouth, hinting at an underlying thoughtfulness or perhaps even a touch of vulnerability. The skin tones are carefully observed, with nuanced gradations that convey a sense of realism and psychological depth.
The overall effect is one of restrained elegance and quiet self-assurance. The dark palette contributes to a somber mood, while the oval format lends a sense of intimacy and focus on the individual. It’s likely intended as an assertion of identity and professional standing, but also reveals something of the artists inner world – a blend of ambition, intellect, and perhaps a degree of introspection.