Adolf Ulrik Wertmüller – Crownprince, Le Dauphin, Louis-Joseph-Xavier-François of France
1784.
Location: National Museum (Nationalmuseum), Stockholm.
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The boy’s hair is styled in soft curls, framing a face characterized by large, expressive eyes and full cheeks. This combination contributes to an impression of innocence and vulnerability, qualities often emphasized in depictions of young heirs. His expression is not overtly joyful; rather, it holds a quiet seriousness that hints at the weight of expectation placed upon him.
He wears a lavish ensemble indicative of his elevated status. A pale pink coat, adorned with intricate gold embroidery and decorative buttons, forms the primary layer of clothing. Over this, he bears a blue sash, embellished with elaborate medals and insignia – symbols of royal authority and lineage. The delicate lace collar adds another layer of refinement to the presentation, highlighting the meticulous attention paid to his appearance.
The oval format of the portrait itself contributes to its formal character, evoking associations with historical portraits and reinforcing the subject’s importance. The dark background serves not only to isolate the figure but also to create a sense of depth and grandeur.
Subtly, the painting conveys themes of succession, duty, and the burden of royal heritage. While the boys youthfulness is apparent, the formal pose and opulent attire suggest an awareness of his future role within the established order. The overall effect is one of carefully constructed symbolism designed to project an image of regal dignity and promise.