Portrait of the young Henri Bertholet-Campan Adolf Ulrik Wertmüller (1751-1811)

The composition presents a youthful figure seated amidst a naturalistic setting. The child, centrally positioned, is engaged in an intimate interaction with a small dog, embracing it affectionately and leaning towards its head. The boys attire consists of a loosely draped garment, revealing his bare skin and suggesting a state of carefree innocence. His expression conveys a sense of gentle curiosity and tenderness directed toward the animal.
The backdrop establishes a landscape characterized by rocky terrain and lush foliage, receding into a hazy distance where a glimpse of cultivated land is visible. The artist employed a muted palette dominated by earthy tones – greens, browns, and grays – which contribute to an atmosphere of tranquility and pastoral charm. Light falls softly upon the child and dog, highlighting their forms while leaving the background in relative shadow.
Several symbolic elements are incorporated into the scene. A basket overflowing with grapes rests at the boy’s feet, a traditional emblem of abundance, fertility, and perhaps even the pleasures of the table. Scattered leaves and a small rake further reinforce the connection to nature and a sense of rustic leisure. The dog itself, likely a Bichon or similar breed, was often associated with companionship and domesticity in aristocratic circles.
The overall effect is one of idealized childhood and privileged upbringing. The boy’s uninhibited interaction with the animal, coupled with the abundance of natural elements, suggests a life of ease and comfort. The composition evokes themes of innocence, loyalty, and the harmonious relationship between humans and nature – values frequently celebrated in aristocratic portraiture of this period. The deliberate placement within a landscape setting implies not only an appreciation for the outdoors but also subtly reinforces the subject’s connection to land and lineage.