#12216 Rafael De Penagos

The artwork presents a stylized depiction of a woman in what appears to be a domestic setting, framed by a decorative border. Here we see a figure standing before a large, circular mirror, which dominates the composition and serves as a central visual element. The woman is dressed in a blue jumpsuit, a garment indicative of early 20th-century fashion trends emphasizing practicality and movement. Her posture suggests confidence and self-assurance; she holds herself upright with a slight turn of her head, engaging the viewer directly.
The mirror’s reflection reveals a slightly altered version of the woman – perhaps an idealized or more distant representation of herself. This duality introduces a layer of complexity to the image, hinting at themes of identity, perception, and self-image. The reflected figure is less detailed than the primary subject, further emphasizing this separation.
The setting appears to be a dressing room or vanity area. A bottle labeled Flores de Campo (Flowers of the Field) sits on a table alongside other small objects, suggesting an interest in beauty and personal adornment. These details contribute to the overall impression of a woman preparing for an event or simply indulging in self-care rituals.
The artist’s use of simplified forms and bold outlines is characteristic of Art Deco aesthetics. The color palette is restrained, primarily utilizing blues, creams, and subtle accents, which reinforces the sense of elegance and sophistication. The compositions flatness and lack of depth contribute to a decorative quality, prioritizing visual appeal over realistic representation.
Subtly embedded within this seemingly straightforward portrayal are suggestions about societal expectations surrounding femininity and beauty during the period. The woman’s attire, while modern for its time, still adheres to certain standards of attractiveness. The mirror itself acts as a symbolic device, prompting reflection not only on physical appearance but also on ones place in society and the constructed nature of identity.