Jacopo Bellini – Madonna and Child
~1440
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The infant is nestled securely within the woman’s arms, his body partially exposed beneath a thin veil of fabric. He possesses a youthful countenance with tightly curled hair, also encircled by a golden halo. His gaze appears directed downwards, contributing to an overall sense of humility and innocence.
Behind the figures, a deep blue background dominates the space, punctuated by two circular gold medallions positioned at the upper corners. These medallions are not uniformly illuminated; instead, they display a subtle gradient suggesting depth and light emanating from within. The dark backdrop serves to emphasize the luminosity of the central figures and their halos, drawing the viewer’s attention directly to them.
The artists use of color is restrained yet evocative. The palette leans towards muted tones – blues, pinks, golds – creating a sense of serenity and reverence. The rendering of flesh tones is delicate, with subtle shading that suggests volume and form without excessive detail.
Subtly, the painting conveys themes of maternal devotion, divine grace, and spiritual protection. The woman’s posture and expression communicate a quiet strength and unwavering faith. The infants vulnerability underscores his dependence on her care and the sacredness of new life. The halos serve as visual markers of their elevated status within a religious context, while the dark background reinforces the sense of otherworldliness and divine mystery surrounding them. The composition’s symmetry and balance contribute to its overall harmony and reinforce the feeling of stability and enduring faith.