The head of the Virgin with the Annunciation Bartolomeo Passarotti (1529-1592)

Here we observe a drawing depicting a female figure, likely intended as a study for a larger devotional work. The central focus is her head and shoulders, rendered with meticulous detail in a brown wash technique over underlying pencil lines. Her eyes are closed, suggesting contemplation or perhaps sorrow, lending an air of profound introspection to the subject. A veil drapes around her head and shoulders, intricately folded and shaded to create a sense of volume and texture. The artist has paid close attention to the rendering of fabric, demonstrating skill in depicting light and shadow on its surface. Delicate earrings adorn her ears, adding a touch of refinement to her appearance.
The composition is framed by two circular medallions placed at the upper corners. Within these medallions, smaller scenes are depicted: one appears to show a winged figure gesturing towards another individual, while the other mirrors this scene with reversed figures. These vignettes suggest narrative elements that likely relate to the larger context of the work for which this drawing served as preparation.
The overall effect is one of quiet dignity and spiritual depth. The closed eyes invite viewers into a moment of private reflection, hinting at an inner life beyond what can be readily observed. The veil serves not only as a visual element but also symbolically represents modesty and piety. The inclusion of the corner medallions suggests that this study was intended to be part of a larger narrative cycle, possibly depicting events from sacred history.
The drawing’s subdued palette and delicate linework contribute to its contemplative mood. It appears to be an intimate exploration of character and emotion, rather than a grand display of power or spectacle. The artists focus on subtle details – the folds of the veil, the curve of her lips, the slight turn of her head – suggests a deep engagement with the subject’s psychological state.