Joseph Mallord William Turner – Tours - Sunset- Looking Backwards
1826~1830. 12×19
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a densely packed arrangement along the left side of the canvas. Buildings rise from the bank, their forms rendered with loose brushstrokes suggesting age and perhaps disrepair. A group of people are gathered near the waters edge; some appear to be engaged in conversation, while others seem to be observing the scene unfolding before them. The artist depicted a horse and rider amongst this gathering, adding a touch of dynamism to the otherwise static arrangement.
The river itself occupies a significant portion of the middle ground. Several boats are moored along the bank, and figures can be seen rowing further out on the water. The surface of the water is rendered with agitated brushwork, conveying a sense of movement and reflecting the colors of the sky.
In the distance, the townscape emerges as a collection of indistinct shapes and towers. The buildings appear to rise from the landscape, their forms softened by atmospheric perspective. A luminous quality emanates from behind this distant settlement, suggesting the setting sun. This light creates a visual link between the foreground and background, unifying the composition.
The color palette is dominated by warm tones – yellows, oranges, and browns – which evoke the feeling of a late summer evening. The artist employed a loose, expressive style, prioritizing atmosphere and impression over precise detail. The brushwork is visible throughout, contributing to the paintings sense of immediacy and spontaneity.
Subtly, there’s an underlying melancholy conveyed through the muted colors and the figures seemingly lost in their own thoughts. It isn’t a celebratory scene; rather, it captures a moment of quiet contemplation as day transitions into night. The receding perspective suggests a longing for something beyond what is immediately visible – perhaps a yearning for home or a sense of nostalgia for a time past. The indistinct nature of the distant townscape could also be interpreted as symbolizing the ephemeral quality of memory and experience.