Nathaniel Hone – Benjamin Cole
1776. 76×64
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The man’s hair is styled in the fashionable manner of the mid-18th century, powdered white and arranged in curls at the sides of his face. He wears a coat of muted brown or beige, layered over a waistcoat with delicate lace trim visible at the throat and cuffs. The fabric appears to be of high quality, suggesting wealth and status. His posture is relaxed yet dignified; one arm rests casually across his body, while the other supports what seems to be a table edge, creating a sense of ease and informality within a formal setting.
The artist’s brushwork displays a degree of looseness, particularly in the rendering of the fabric folds and the background. This contributes to a feeling of immediacy and vitality. The color palette is restrained, dominated by earth tones with subtle variations that create depth and visual interest.
Subtly, the portrait conveys an impression of self-assurance and social standing. The direct gaze establishes a connection with the viewer, suggesting confidence and accessibility. The meticulous attention to detail in his clothing and hairstyle underscores his place within a specific societal echelon. The dark background serves not only as contrast but also creates a sense of privacy and exclusivity, hinting at a life lived beyond the immediate view of the observer. The signature visible in the upper left corner, along with the date 1776, provides contextual information about the work’s creation and authorship without overtly disrupting the portraits overall effect.