Harris – a side street 1919
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The artist employed a distinctive approach to color; the sky is not depicted as a uniform expanse but rather as a patchwork of blues and greens, suggesting an atmospheric complexity beyond simple observation. The snow on the ground and roofs isnt rendered in pure white, instead incorporating shades of grey and blue, which subtly convey the coldness and dampness inherent in a winter environment.
The composition is structured around strong vertical and horizontal lines – the uprights of the buildings, the horizontality of the rooftops and ground plane, and the diagonal thrust of the tree branches. This creates a sense of order and stability, yet the application of paint appears somewhat agitated, with visible brushstrokes that prevent the scene from feeling entirely static.
Beyond the straightforward depiction of a winter streetscape, there’s an underlying melancholy present in the work. The muted colors, the bare trees, and the tightly packed dwellings suggest a sense of confinement or perhaps even hardship. The simplification of forms could be interpreted as a distancing from reality, hinting at a subjective emotional response to the scene rather than a purely objective representation. One might perceive a commentary on urban life, particularly the conditions experienced by those living in modest housing during a period marked by social and economic challenges. The absence of human figures further contributes to this feeling of isolation and quiet contemplation.