Harris – lake superior country 1922
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Beyond this intermediate zone, a range of blue mountains rises, their peaks softened by atmospheric perspective. The sky above is rendered in varying shades of blue, punctuated by stark white brushstrokes that suggest clouds or perhaps the diffused light reflecting off snow-covered surfaces. These white markings are not uniformly distributed; they appear as fragmented lines and patches, contributing to a sense of dynamism within the otherwise static landscape.
The artist’s application of paint is notable for its deliberate flatness. Theres little attempt at creating an illusion of three-dimensionality through traditional techniques like chiaroscuro or aerial perspective. Instead, the forms are presented in a simplified, almost schematic manner. The brushstrokes themselves are visible, adding texture and emphasizing the materiality of the paint.
The overall effect is one of austere grandeur. Theres a sense of remoteness and isolation conveyed by the vastness of the landscape and the limited human presence – or indeed, any sign of civilization. The color choices contribute to this mood; the somber tones evoke a feeling of melancholy or contemplation.
Subtly, there’s an implication of geological time and enduring natural forces. The rugged terrain suggests a history shaped by erosion and glacial activity. The simplified forms could be interpreted as symbolic representations of resilience and permanence – a landscape that exists beyond human concerns. The painting doesnt offer a picturesque view; it presents a powerful statement about the raw, untamed character of nature.