George Wallis – The Fall Of The Year
1857
Location: Museums and Art Gallery, Birmingham.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The trees themselves are rendered with meticulous detail, their gnarled roots exposed and intertwined, suggesting age and resilience. Their trunks, a complex interplay of browns, ochres, and subtle greens, command attention, creating a dense visual barrier that partially obscures the view into the distance. The foliage is sparse, allowing glimpses of a lawn beyond, which appears to be meticulously maintained. A row of what might be hedges or distant trees can be discerned in the background, adding depth but remaining indistinct.
The light source seems to originate from behind these distant elements, casting long shadows and contributing to the overall melancholic atmosphere. The color palette is restrained, primarily consisting of variations on brown and gold, with touches of green providing a subtle contrast. This limited range reinforces the feeling of decline and dormancy associated with autumn.
Subtly, the painting evokes themes of times passage and the cyclical nature of life. The exposed roots can be interpreted as symbols of vulnerability and the hidden foundations upon which existence is built. The carefully manicured lawn in the background hints at human intervention and control within a natural setting, raising questions about humanity’s relationship with the environment. The circular format itself might suggest wholeness or completion, perhaps implying that this moment of autumnal decline is an integral part of a larger, ongoing process. Theres a quiet dignity to the scene; it isnt overtly dramatic but rather contemplative and imbued with a sense of serene resignation.