Hans Eworth – Philip II and Mary I
1558
Location: Trustees of the Bedford Estate, Woburn
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The background is dominated by gilded panels and a large heraldic shield, indicative of noble lineage and power. Above the figures, inscribed within a cartouche, is Latin text that likely serves to legitimize their position or commemorate an event. A window provides a source of light, though its view remains obscured, suggesting a deliberate focus on the individuals rather than the external world. At the feet of the pair, a small dog sits attentively, a common symbol of fidelity and companionship in portraiture.
The color palette is dominated by dark tones – blacks, browns, and deep reds – which contrast with the gold accents of the woman’s gown and the background ornamentation. This interplay creates visual depth and highlights the figures opulence. The floor tiles are rendered with meticulous detail, contributing to the overall sense of grandeur and formality.
Subtleties within the painting suggest a complex narrative beyond a simple depiction of royalty. The man’s bare feet, while seemingly minor, could be interpreted as an attempt to portray him as approachable or perhaps even humble despite his elevated status. The womans somber expression might hint at underlying anxieties or personal struggles, potentially reflecting political tensions or marital difficulties. The dog, positioned between the two figures, acts as a visual bridge, symbolizing unity and domestic harmony – a sentiment that may have been intended to project an image of stability amidst potential unrest. Overall, the work conveys a sense of power, wealth, and carefully constructed public persona, while also hinting at deeper emotional complexities beneath the surface.