Hans Eworth – Mildred, Lady Burghley
c.1563 oil on panel
Location: Hatfield House, Hertfordshire, UK
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The artist has rendered the subject’s skin tone with meticulous detail, capturing subtle variations in light and shadow to suggest volume and texture. The face itself displays a certain severity; the mouth is closed, the brow slightly furrowed, contributing to an overall sense of dignified restraint.
Her garments are particularly noteworthy. A dark, possibly black, dress forms the base layer, heavily embellished with intricate patterns that appear almost scale-like in their repetition. Over this, a sheer overdress reveals glimpses of the underlayer, creating a layered effect and adding visual complexity. The sleeves are similarly adorned, showcasing an abundance of decorative stitching. Around her neck, a high ruff is meticulously rendered, its crisp edges sharply defined against her skin. A string of pearls hangs from her neck, partially obscured by the ruff, suggesting wealth and status. On one hand, she wears several rings, further reinforcing this impression.
To the left, a heraldic shield displays a coat of arms, indicating familial connections or affiliations. The dark green curtain behind her serves as a backdrop, its folds adding depth to the composition while also drawing attention back to the central figure.
Subtleties within the painting suggest deeper meanings beyond mere representation. The formality of the pose and attire implies a position of social importance. The direct gaze could be interpreted as an assertion of power or a demonstration of self-assurance. The pearls, rings, and elaborate dress all function as symbols of wealth and status, reinforcing her elevated position in society. The heraldic shield serves to anchor her within a specific lineage and context.
The overall effect is one of controlled elegance and restrained authority, presenting the subject as a woman of considerable standing and influence.