Henry Fitz Alan, 24th Earl of Arundel (1512-1580) Hans Eworth (Ewoutsz) (1520-1574)

The portrait presents a man in three-quarter view within a circular frame. He is depicted with a full beard and short hair, both rendered in shades of reddish-brown. The face exhibits a somewhat melancholic expression; the gaze is directed slightly off-center, suggesting introspection or perhaps a studied detachment.
He wears a dark, draped garment that falls loosely over his shoulders, hinting at an aristocratic status through its richness and texture. A crimson sash tied around the neck adds a touch of vibrancy to the otherwise somber palette. Beneath the drape, glimpses of what appears to be armor are visible, suggesting military or political involvement. The artist has paid particular attention to rendering the play of light on the fabric, creating a sense of depth and volume.
The background is a deep blue, providing a stark contrast that emphasizes the figure’s presence. Encircling the portrait is an inscription in Latin: INVIDIA TORQUET AVTOREM. This phrase, translating roughly as “Envy torments the author,” introduces a layer of complexity to the interpretation. It suggests a potential awareness of criticism or opposition faced by the sitter, possibly alluding to political maneuvering or personal rivalries.
The circular format itself is significant; it evokes classical portraiture and reinforces the subject’s perceived importance and timelessness. The overall effect is one of dignified restraint, conveying an impression of power tempered with a sense of burden or introspection. The artist has constructed not merely a likeness but a carefully considered statement about character and position within a hierarchical society.