David Frumerie (Attributed) – Stefan Schlick
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see a gentleman dressed in elaborate attire indicative of high social standing. His garments consist of a black coat lined with what appears to be patterned fabric – possibly silk or brocade – and a fur-trimmed collar, suggesting wealth and status. A distinctive cap adorns his head, further reinforcing the impression of nobility. He holds a small object in his outstretched hand; its precise nature is unclear but it could represent a symbol of office or personal significance.
The artist has employed a limited palette dominated by dark tones – black, grey, and muted browns – which contribute to a somber and dignified atmosphere. The lighting focuses primarily on the man’s face and upper body, highlighting his features and clothing while leaving the lower portion in shadow. This technique draws attention to his countenance and emphasizes his importance within the composition.
Inscribed above the figure is an inscription identifying him as Stephan Schlick Graf zv Bassan zv Weisich Fellenndt Slackenwerth, accompanied by a birthdate of 1526 at the bottom. The inclusion of this text serves to solidify his identity and establish his lineage, reinforcing the portrait’s function as a record of social standing.
Subtleties within the painting suggest more than just a straightforward representation of an individual. His posture – erect yet relaxed – implies confidence and composure. The slight turn of his head might be interpreted as a gesture of acknowledgement or engagement with an unseen presence, hinting at a broader context beyond the confines of the portrait itself. The dark background creates a sense of isolation, potentially symbolizing responsibility or burden associated with his position. Overall, the work conveys a carefully constructed image of power and lineage, intended to project authority and solidify social standing within a hierarchical society.