Dead Hare with Gun, Hunt Satchel and Powder Horn Jean Baptiste Siméon Chardin (1699-1779)

The composition presents a still life arrangement centered around a deceased hare, positioned prominently in the foreground. The animal lies on its side, its fur rendered with meticulous detail that highlights both texture and the starkness of death. A hunting rifle rests diagonally across the scene, partially obscuring the background foliage. Adjacent to the hare is a hunt satchel, appearing worn and well-used, alongside a powder horn – tools indicative of a recent or anticipated pursuit.
The color palette is dominated by muted earth tones: browns, greens, and grays create an atmosphere of somber realism. Light falls unevenly across the objects, emphasizing their three-dimensionality while simultaneously casting areas into deep shadow. This contrast contributes to a sense of drama and melancholy. The background, though indistinct, suggests a dense woodland setting, further reinforcing the context of hunting and wilderness.
Beyond the literal depiction of a hunt’s aftermath, the work evokes reflections on mortality and the cyclical nature of life and death. The meticulous rendering of the hares lifeless form invites contemplation about fragility and loss. The presence of the hunting equipment suggests not only the act of taking life but also the human relationship with nature – one defined by both dependence and dominance.
The arrangement itself, seemingly casual yet carefully constructed, implies a narrative beyond what is immediately visible. It’s possible to interpret this as an allegory for the transience of existence or a commentary on the consequences of human intervention in the natural world. The subdued lighting and somber tones contribute to a mood that transcends mere documentation, suggesting a deeper emotional resonance within the scene.