August Friedrich Albrecht Schenck – Anguish
1876-80
Location: Pomeranian State Museum (Pommersches Landesmuseum), Greifswald.
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Central to the image is a group of sheep, one of which stands in a posture of apparent distress or alarm. Its mouth is open in what appears to be a cry, its body tense and angled towards a fallen lamb lying nearby. The vulnerability of this creature is heightened by the surrounding environment and the presence of numerous black birds – crows or ravens – that converge upon the scene. These avian figures are distributed throughout the composition, some taking flight while others descend toward the ground, their dark forms creating a visual contrast against the snow and the pale wool of the sheep.
The sky is overcast, further reinforcing the somber mood. The lack of direct light contributes to the overall sense of oppression and foreboding.
Subtextually, the painting seems to explore themes of loss, vulnerability, and mortality. The fallen lamb likely symbolizes innocence or fragility, while the gathering birds suggest predation and decay. The distressed sheep’s cry could be interpreted as a lament for what has been lost, or perhaps an expression of fear in the face of impending doom. The harshness of the winter setting amplifies these themes, suggesting a world indifferent to suffering.
The artists deliberate arrangement of figures and use of light and shadow create a powerful emotional impact, prompting reflection on the cyclical nature of life and death, and the precariousness of existence within a larger, often unforgiving natural order.