pic01487 Yongjun Chen

Here we observe a fan painted with chrysanthemums and calligraphic script. The composition is constrained by the semicircular form of the object, which dictates a curved arrangement of elements. A cluster of blooms dominates the right side of the view, rendered in shades of pink, coral, and cream, their petals meticulously detailed to suggest both delicacy and resilience. To the left, another grouping of chrysanthemums appears slightly more muted in tone, nestled against a dark background that emphasizes their form.
The artist employed a traditional style, utilizing washes of ink and color to create subtle gradations and atmospheric depth. The background is not entirely black; instead, it’s a deep, smoky grey, suggesting mist or shadow. This treatment contributes to the overall sense of quiet contemplation. A small signature mark appears in the lower right corner, indicating the artists presence within the work.
The calligraphic script occupies the upper portion of the fan’s surface. The characters are rendered in dark ink and appear somewhat blurred, as if written with a brush on silk. While the precise meaning is inaccessible without translation, their inclusion signifies an intellectual or poetic dimension to the visual representation. Calligraphy often served as a form of commentary or personal expression within this artistic tradition.
The choice of chrysanthemums carries symbolic weight. In many East Asian cultures, these flowers are associated with autumn, longevity, and resilience – qualities admired in both individuals and societies. Their ability to bloom late in the season, even amidst harsh conditions, makes them emblems of perseverance and quiet strength. The presence of calligraphy further elevates the work beyond a simple botanical study; it suggests an engagement with philosophical or literary themes.
The fan itself is significant as a portable art form – an intimate object meant for personal enjoyment or presentation to esteemed individuals. Its curved shape encourages a partial view, inviting the viewer to slowly rotate and discover different aspects of the composition.