Part 2 Prado Museum – Beruete y Moret, Aureliano de -- Madrid desde el Manzanares
1908, 57 cm x 81 cm, Lienzo, Óleo. Aureliano de Beruete y Moret
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Beyond the water lies a densely populated urban landscape. Buildings of different heights and architectural styles are clustered together, creating a layered perspective that recedes into the distance. The structures appear to be constructed from brick and stone, with terracotta roofs adding warmth to the overall palette. A plume of smoke rises in the background, suggesting industrial activity or domestic fires within the city.
The artist employed a muted color scheme, primarily relying on earth tones – browns, ochres, and grays – punctuated by touches of red and blue. The sky is rendered with loose brushwork, conveying a sense of atmospheric perspective and diffused light. Theres an intentional lack of sharp detail; forms are suggested rather than precisely defined, contributing to the impression of distance and atmosphere.
The composition evokes a feeling of quiet observation. It’s not a celebratory depiction of urban life but rather a contemplative study of its presence within a natural setting. The water acts as a visual barrier, separating the viewer from the city while simultaneously reflecting it. This separation could be interpreted as a commentary on the relationship between nature and industrialization, or perhaps a reflection on the distance one feels when observing a bustling metropolis.
The absence of human figures further reinforces this sense of detachment. The focus remains firmly on the landscape itself – the interplay of light, water, and architecture – suggesting that the city is presented as an entity separate from individual experience. The overall effect is one of melancholy beauty, capturing a moment in time where urban development encroaches upon a natural environment.